peony pavilion造句

• Suddenly he heard a rustle in the peony pavilion and someone sighing deeply .
  他忽闻有人在牡丹亭畔长吁短叹。
• They have a great time in the peony pavilion
  二人在牡丹亭度过了无比快活的时光。
• Youthful renaissance of peony pavilion
  里话青春
• Du bao can t be described by one word to realize two sides of tangxianzu through peony pavilion
  谈汤显祖对杜宝形象的塑造
• The imperial granary edition the peony pavilion offers a concept of returning to the original state of kunqu opera
  皇家粮仓版《牡丹亭》以复归昆曲肇始状态的理念。
• Liu ruoying play the game early on : young girl - shaoyu peony pavilion . this is t a game with a somewhat similar to the hero
  游戏介绍：早期的刘若英扮演少女小渔的美丽与哀愁，是不是与这游戏的主人公有几分相似呢？
• Hku will also set up a kunqu archive based on the research work which was undertaken for a youthful rendition of the " peony pavilion "
  另外，在昆曲研究方面，港大将以青春版牡丹亭的资料搜集为首，并建立昆曲资料库。
• The debate feature film is from opera director chen shizheng , who is known for his famous staging of chinese classic . the peony pavilion
  这部有争议的电影出自于一位歌剧导演-陈士争。他以其著名的歌剧《牡丹亭》而闻名。
• Suzhou kunqu opera theatre has recently produced a youth version of " peony pavilion " , one of the most famous kunqu plays , to win back young audiences
  最近，苏州昆剧院为吸引年轻观众，编排了一部青春版的昆曲名剧《牡丹亭》 。
• Kunqu opera the peony pavilion is the peak work in chinese dramatic history and is the play that can bring the delicacy and romance of kunqu opera into full play
  昆曲《牡丹亭》中国戏剧史上的巅峰之作，是最能体现昆曲精致浪漫的一部剧目。
• There at the peony pavilion by the terrace of flowers and aided by heaven , they couched themselves on flowers and made love , with more tenderness than words can tell
  一霎时天留人便，牡丹亭畔，芍药栏边，草作垫，花中眠。两情和合，真个是千般爱惜，万种温存。
• Written by the famous playwright tang xianzu ( 1550 - 1616 ) , the peony pavilion is not only one of china ' s greatest dramas , but also a perennial favorite on the kunju stage
  《牡丹亭》是中国明代杰出的戏剧家汤显祖的经典著作，也是昆剧舞台上最有代表性的剧目。
• Following the huge success of the peony pavilion ( youth version ) by suzhou kunju opera troupe on beijing stage this october , the palace of eternal youth , another kunqu classic , swept beijing again at the end of this year
  继苏州昆剧院青春版《牡丹亭》 2004年10月晋京献演赢取巨大成功后， 2004年岁末， 《长生殿》又在北京掀起了一股昆剧旋风。
• The fact the peony pavilion was very popular among women audience in the ming and the qing dynasties reflects , on the subconscious level , their desire of relieving themselves in such daydream like works from the heavy burden of reality
  从潜意识层面看，明清女性接受者由衷喜爱《牡丹亭》 ，正反映出现实压抑状况中的她们渴望通过这“白日梦”般的艺术得到某种心理减压。
• " narratives of origination in nuosu traditions " , presented at the interdisciplinary symposium - - beyond peony pavilion : performance , ethnicity and cultural processes in china ( ppec ) - - , columbus , ohio state university ( osu ) apri28 - 29 , 2001
  "诺苏文学传统中的述源叙事" ，国际跨学科讨论会：超越牡丹亭中国的表演?族群性?文化进程。美国哥伦布斯：俄亥俄州立大学， 2001年4月28 29日。
• For the time being we do not have adequate materials to determine the exact time of publication , but textual analysis shows that the resurrection of du li niang is much influenced by the story of du li biang and the peony pavilion
  在版本依据上，现有资料尚无法确定《杜丽娘慕色还魂》和《杜丽娘记》的具体成书时间，它们都有成为蓝本的可能，但是文本内证却更支持《杜丽娘慕色还魂》受到《杜丽娘记》和《牡丹亭》的影响。
• To assist with the inauguration of the national grand theatre in beijing this october , hku will collaborate with the china art academy , the cultural industries institute of peking university , and the world heritage fund to organise a kunqu international convention in beijing . major activities of the convention include conferences , an inaugural performance of a youthful rendition of the " peony pavilion
  在是次研发计划下，港大将联同中国艺术研究院北京大学文化产业研究院及世界文化与自然遗产基金，于中国国家大剧院10月在北京正式开幕时，协办昆曲国际交流会，活动包括昆曲国际研讨会国家大剧院开幕表演青春版牡丹亭及昆曲展览。
• The peony pavilion of a play classic has various chinese and foreign editions , fulfilling to accept the esthetic literary history theories that readers get involved ins this paper regards accepting the esthetic methodology as the degree of dimension for bai xian - yong the peony pavilion plans , investigates to deduce from literature classic to the drama process , investigates the reader ' s baixian - yong arriveing at the white that is used as the fabricator of the conversion , and investigates the western and modern theories on the chinese classic that a play reorganizes
  文章以接受美学方法论为维度，就白先勇《牡丹亭》的策划、制作和传播进行缕析，探索从文学经典到戏剧演绎的接受历程，探索作为读者的白先勇到作者的白先勇身份转换，探索西方现代理论对中国古典名剧改编的适应度。